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THE BEST FEMALE ACTORS OF 2023: TINAA GHAAI

This week-long series brings to you, next, the best of 2023 through the eyes of another among the very influential in Bollywood. Actor and Exec...

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FILM CRITICS – WHO’S DOING WHAT FOR WHOM…& WHY?

Monojit Lahiri investigates into what the Film Critics are doing, what are they writing about, who are they writing for and wh...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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CLOSE TO THE GARDEN OF BROKEN SHADOWS

Humra Quraishi traces the events from 6th December 1992 to the recently concluded assembly elections, bring to fore...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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TRIALS AND TRIBULATIONS OF MAKING ARTHOUSE CINEMA

In a free-flowing conversation with Shantanu Ray Chaudhuri, Suman Ghosh talks of dealing with the disappointment of Aadhaar, t...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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VERSE OF MOSAB ABU TOHA AND HUMAN RIGHTS

Humra Quraishi wants to know why The World Human Rights Day should be observed this year, and questions the intentions of the ...

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THE DIVERSE REALM OF ART HOUSE CINEMA

Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant cou...

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